I'm ordering my dedicated digital audio computer tomorrow (one more addition of a carbon fiber case and a smart media reader today), but once those are priced into the deal, the order goes through.
I was reading through my post a ways down this page and it was interesting to see how many of you influenced some of my decisions. Your input is much appreciated.
One unexpected twist was my revised decision to go with Cubase VST/32 5.1. There are many factors that add up to that and surprisingly many have to do with hardware. I know there are many loyal Logic users around these parts, and I was really leaning that way. Buried in a lot of tech specs, compatibility software to software and software to hardware, and in demoing 5.1 itself vs. Logic Platinum, there were several good reasons to go the way I did.
If anyone is interested, here is what I ended up choosing after my typical insane researching:
Intel Pentium 4 1.8 GHz w/400MHz system bus
Asus motherboard
Intel i845 chipset
1,024 MB Ultra-Fast PC-133 SDRAM
Matrox G-450 32 MB video card (supports dual monitors)
20 GHz Seagate 7,200rpm ATA-100 removable hard drive (for audio O/S)
20 GHz Seagate 7,200rpm ATA-100 removable hard drive (for office O/S)
60 GHz Seagate 7,200rpm ATA-100 removable hard drive (for stored audio files)
Plextor 24X CD-R/W drive
1.44 MB Floppy drive
Microsoft internet keyboard
Optical Mouse
Smart Media reader
300W P/S carbon fiber case (3 fans hushed)
Aardvark Q-10
Steinberg Midex 8
Cubase VST/32 Producer Pack
Cakewalk Pro Audio 9
Windows ME w/free XP upgrade
The two 20 gig drives are removable. Which ever one is placed in the "hot" cage can be booted. The one not in use can be inserted in a dummy storage space below. (The audio system will have no extraneous software whatsoever to maintain optimum reliability and speed.) If I want to pay bills or play a game at blazing speed on this puppy, I will need to swap drives.
I have not settled on a pair of (video) monitors yet. Once I can get up to speed on getting around in this format, I have my eye on other software like Halion, Reason, Acid and Sample Tank. I'm holding on those for now as I have enough learning curve to last me well into next year as it is.
BTW, I just got a Yamaha Motif 7 and couldn't be more please with it. (I don't know if I'm counting this toward the $10K as I needed to updated my circa late 1980's Korg T1 workstation anyway.) The Motif has a USB interface for the computer (cool) and the onboard sequencer controls can be assigned to remote control up to 16 sequencer tracks on the computer (very cool). For laying down scratch tracks, I can start, stop, punch in, etc. all on the Motif and get it all in the computer simultaneously. I can then screw with the midi or audio to my hearts content, and send the results back to trigger the Motif or anything else (and that is just part of the new benefits).
Can you tell I'm psyched? The Q-10 comes with software to control a "virtual" patchpay onscreen. No more patching. I should be able to plug everything into the midi or audio inputs between the Midex 8 and the Q-10 and handle everything completely in the digital domain, until I choose to shoot out for some of my rack gear. The preamps on the Q-10 are amazing. The A/Ds and D/As too. The Midex 8 eliminates all the inherent midi latency issues by handling the timing onboard with its own processor, and as you would expect, really works well with Cubase.
I am going to treat myself to a nice studio console to put it all in (one that will accomodate rack spaces and room for the two video monitors and at least a pair of Mackie 824s), but I won't even come close to $10K. The computer will come in around $4K and even if I get all the other software I'm looking at down the road, I still won't get close. Nevertheless, I think I will have a system that can give me 24/96 over at least 24 tracks with effects, verbs, etc. on every track, with never a blink. Not bad. More than I need.
Thanks to all who put me on the path, I owe you. Once I get up to speed, I'll be looking at exploring some online collaborating (Stu, I think, and others), and I remain wideopen in the meantime to plugin, software, hardware recommendations to make the most of this new tool.
I was reading through my post a ways down this page and it was interesting to see how many of you influenced some of my decisions. Your input is much appreciated.
One unexpected twist was my revised decision to go with Cubase VST/32 5.1. There are many factors that add up to that and surprisingly many have to do with hardware. I know there are many loyal Logic users around these parts, and I was really leaning that way. Buried in a lot of tech specs, compatibility software to software and software to hardware, and in demoing 5.1 itself vs. Logic Platinum, there were several good reasons to go the way I did.
If anyone is interested, here is what I ended up choosing after my typical insane researching:
Intel Pentium 4 1.8 GHz w/400MHz system bus
Asus motherboard
Intel i845 chipset
1,024 MB Ultra-Fast PC-133 SDRAM
Matrox G-450 32 MB video card (supports dual monitors)
20 GHz Seagate 7,200rpm ATA-100 removable hard drive (for audio O/S)
20 GHz Seagate 7,200rpm ATA-100 removable hard drive (for office O/S)
60 GHz Seagate 7,200rpm ATA-100 removable hard drive (for stored audio files)
Plextor 24X CD-R/W drive
1.44 MB Floppy drive
Microsoft internet keyboard
Optical Mouse
Smart Media reader
300W P/S carbon fiber case (3 fans hushed)
Aardvark Q-10
Steinberg Midex 8
Cubase VST/32 Producer Pack
Cakewalk Pro Audio 9
Windows ME w/free XP upgrade
The two 20 gig drives are removable. Which ever one is placed in the "hot" cage can be booted. The one not in use can be inserted in a dummy storage space below. (The audio system will have no extraneous software whatsoever to maintain optimum reliability and speed.) If I want to pay bills or play a game at blazing speed on this puppy, I will need to swap drives.
I have not settled on a pair of (video) monitors yet. Once I can get up to speed on getting around in this format, I have my eye on other software like Halion, Reason, Acid and Sample Tank. I'm holding on those for now as I have enough learning curve to last me well into next year as it is.
BTW, I just got a Yamaha Motif 7 and couldn't be more please with it. (I don't know if I'm counting this toward the $10K as I needed to updated my circa late 1980's Korg T1 workstation anyway.) The Motif has a USB interface for the computer (cool) and the onboard sequencer controls can be assigned to remote control up to 16 sequencer tracks on the computer (very cool). For laying down scratch tracks, I can start, stop, punch in, etc. all on the Motif and get it all in the computer simultaneously. I can then screw with the midi or audio to my hearts content, and send the results back to trigger the Motif or anything else (and that is just part of the new benefits).
Can you tell I'm psyched? The Q-10 comes with software to control a "virtual" patchpay onscreen. No more patching. I should be able to plug everything into the midi or audio inputs between the Midex 8 and the Q-10 and handle everything completely in the digital domain, until I choose to shoot out for some of my rack gear. The preamps on the Q-10 are amazing. The A/Ds and D/As too. The Midex 8 eliminates all the inherent midi latency issues by handling the timing onboard with its own processor, and as you would expect, really works well with Cubase.
I am going to treat myself to a nice studio console to put it all in (one that will accomodate rack spaces and room for the two video monitors and at least a pair of Mackie 824s), but I won't even come close to $10K. The computer will come in around $4K and even if I get all the other software I'm looking at down the road, I still won't get close. Nevertheless, I think I will have a system that can give me 24/96 over at least 24 tracks with effects, verbs, etc. on every track, with never a blink. Not bad. More than I need.
Thanks to all who put me on the path, I owe you. Once I get up to speed, I'll be looking at exploring some online collaborating (Stu, I think, and others), and I remain wideopen in the meantime to plugin, software, hardware recommendations to make the most of this new tool.
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