Calling all wizards...
I already know how to make the integrated pads on the SPD-S advance up or down a patch.
Problem is it won't seem to let me do that from external triggers.
It doesn't matter whether I directly plug the external pads into the Trig1/2 jack or use midi through my TMC-6 or PM-16. Midi mapping is correct. The sounds trigger correctly but I can't crack the code on using the external triggers as (patch+/patch-) switches.
I'm actually trying to be able to have a hand clap follow my acoustic snare trigger only during certain parts of a song for instance.
The Roland technician suggested that the only way to do that was to create a blank patch adjacent to the one I really want to use, and use a couple more triggers to (real time, in the middle of a song) to advance it (patch+) to the blank patch when I didn't want the clap and use the other trigger to bring it back (patch-) when I needed the clap.
I've tried the Velocity and Wave A/B methots for SW and they are too finicky for live performances with acoustic triggers.
I would appreciate any clarification or best practices if anyone has it...
Thanks!
I already know how to make the integrated pads on the SPD-S advance up or down a patch.
Problem is it won't seem to let me do that from external triggers.
It doesn't matter whether I directly plug the external pads into the Trig1/2 jack or use midi through my TMC-6 or PM-16. Midi mapping is correct. The sounds trigger correctly but I can't crack the code on using the external triggers as (patch+/patch-) switches.
I'm actually trying to be able to have a hand clap follow my acoustic snare trigger only during certain parts of a song for instance.
The Roland technician suggested that the only way to do that was to create a blank patch adjacent to the one I really want to use, and use a couple more triggers to (real time, in the middle of a song) to advance it (patch+) to the blank patch when I didn't want the clap and use the other trigger to bring it back (patch-) when I needed the clap.
I've tried the Velocity and Wave A/B methots for SW and they are too finicky for live performances with acoustic triggers.
I would appreciate any clarification or best practices if anyone has it...
Thanks!
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