Hello all, I've ordered a TD-20 (my first module) and have some questions regarding input management. I want to maximize the number of pads I can use for now without having to purchase a second module. One approach would be to split inputs; another is to combine 2 pads in parallel into a single input.
First, is it possible to combine two similar pads in parallel into a single TD-20 input using a stereo Y-cable? (I realize that both pads connected to a single input will generate the same sound; that's not a problem.) For example, can I:
Second, if two pads are combined into a single input, do the sensitivity, threshold, and curve settings need to be adjusted to accommodate the new circuit?
Third, are there any general rules/guidelines for combining pads into the different inputs (for example, differences between P/P and P/S inputs)?
Thanks in advance for your help.
--Bob
First, is it possible to combine two similar pads in parallel into a single TD-20 input using a stereo Y-cable? (I realize that both pads connected to a single input will generate the same sound; that's not a problem.) For example, can I:
a. combine two Hart Pro kick pads into the Kick input?
b. combine two Hart Pro tom pads into a single Tom or Aux input?
c. combine two Roland cymbal pads (CY-14C or CY-15R) into a single Cymbal input?
b. combine two Hart Pro tom pads into a single Tom or Aux input?
c. combine two Roland cymbal pads (CY-14C or CY-15R) into a single Cymbal input?
Second, if two pads are combined into a single input, do the sensitivity, threshold, and curve settings need to be adjusted to accommodate the new circuit?
Third, are there any general rules/guidelines for combining pads into the different inputs (for example, differences between P/P and P/S inputs)?
Thanks in advance for your help.
--Bob
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