Money's tight and my drums are loud. My plan is to build some triggers and connect them each to a $1.50 USB audio interface (with mono mic in), all of those connected to a USB 3.0 hub and into a Surface Pro hosting Reaper with DSP Trigger (to convert the transients to MIDI) and something like AD. My pared-down plan includes a dual-trigger snare, three toms, kick, and two dual-zone cymbals (crash and ride). I'm ignoring the hi-hat for simplicity's sake. With this setup, DSP trigger should be able to produce a 3-zone snare, 3-zone ride and crash with choke, and 2-zone toms. Since each input is mono, dual-trigger TRS connections get split into dual TS and take up two interfaces.
Prices buying most of this stuff off eBay (from NA only, parts from China are cheaper but take longer to arrive):
13-port USB 3.0 hub: $30
USB audio interfaces x10: $15
27mm piezos x10: $10
3.5mm TRS jack x10: $5
3.5mm TRS 2m cable x10: $5
Electronics total: $65
and retail stuff to mount the triggers and make the mesh heads:
48x96" fiberglass screen x2: $14
3" L-bracket x10: $9
2'x4' MDF: $7
24"x36"x3" foam: $5
for a grand total of $100 of hardware purchased. I'm also frankensteining a couple of old 3.5mm TS-M connectors to split the stereo signals into mono (but still use a single wire from each drum).
This might be a terrible idea: no module, all done through VST in a DAW running on Windows on a tablet, all input is routed through cheap audio interfaces with questionable DACs. But I'm spending $100, if it doesn't work then at least my drums are wired to plug into a module, and if it does then it's easily expandable to have 3-zone toms, more cymbals, etc. Hi-hat will continue to be a problem with this setup because at the moment, DSP Trigger (nor anything else AFAIK) can't do much with HH transients, but having an acoustic HH isn't that bad.
I'll report back at least at the end of the week when the hardware arrives and I get it all put together. I've done a small proof of concept with a single dual-trigger drum and a similar hardware setup and it works fine, the latency is acceptable for live play.
I appreciate any comments on this setup, if anyone has done anything similar, more reasons why it's/I'm stupid/brilliant, etc.
Prices buying most of this stuff off eBay (from NA only, parts from China are cheaper but take longer to arrive):
13-port USB 3.0 hub: $30
USB audio interfaces x10: $15
27mm piezos x10: $10
3.5mm TRS jack x10: $5
3.5mm TRS 2m cable x10: $5
Electronics total: $65
and retail stuff to mount the triggers and make the mesh heads:
48x96" fiberglass screen x2: $14
3" L-bracket x10: $9
2'x4' MDF: $7
24"x36"x3" foam: $5
for a grand total of $100 of hardware purchased. I'm also frankensteining a couple of old 3.5mm TS-M connectors to split the stereo signals into mono (but still use a single wire from each drum).
This might be a terrible idea: no module, all done through VST in a DAW running on Windows on a tablet, all input is routed through cheap audio interfaces with questionable DACs. But I'm spending $100, if it doesn't work then at least my drums are wired to plug into a module, and if it does then it's easily expandable to have 3-zone toms, more cymbals, etc. Hi-hat will continue to be a problem with this setup because at the moment, DSP Trigger (nor anything else AFAIK) can't do much with HH transients, but having an acoustic HH isn't that bad.
I'll report back at least at the end of the week when the hardware arrives and I get it all put together. I've done a small proof of concept with a single dual-trigger drum and a similar hardware setup and it works fine, the latency is acceptable for live play.
I appreciate any comments on this setup, if anyone has done anything similar, more reasons why it's/I'm stupid/brilliant, etc.
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